#Mera Jeevan Kora Kagaz

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Tracks Listing 1. Zindagi Kaisi Hai Paheli2. Ek Pyar Ka Maghma Hai (Happy)3. Main Apne Aap Se Ghabra Gaya Hoon4. Zindagi Ke Safar5. Badi Sooni Sooni Hai Zindagi6. Tere Bina Zindagi Se7. Yeh Jeevan Hai8. Zindagi Ek Safar Hai Suhana9. Humsafar Mere Humsafar10. Aaj Yeh Meri Zindagi11. Khamosh Zindagi Ko12. Yeh Zindagi Usiki Hai13. Kaise Koi Jiye14. Ae Zindagi Ke Saathi15. Nai Zindagi Se Pyar Kar Ke Dekh16. Katti Hai Ab To Zindagi17. Zindagi Aaj Tere Naam Se18. Chhoti Si Yeh Zindagani19. Zindagi Pyar Ki Do Char Ghadi20. Main Zindagi Mein Hurdum Rota Hi Raha21. Jo Pyar Tune Mujhko Diya Tha22. Ae Zindagi Ke Raahi23. Meri Zindagi Mein Tum Kyun Aaye24. Milati Hai Zindagi Mein25. Kal Raat Zindagi Se Mulaqat Ho Gayi26. Meri Jaan Tum Pe Sadke27. Meri Zindagi Mein Aaye Ho28. Do Din Ki Zindagi Kaisi Hai Zindagi29. Tumhi Rahnuma Ho Meri Zindagi Ke30. Mera Jeevan Kora Kagaz and more … Package Dimensions ‏ : ‎ 15.8 x 14 x 0.6 cm; 20 g Manufacturer ‏ : ‎ SAREGAMA Studio ‏ : ‎ SAREGAMA ASIN ‏ : ‎ B005X6IAXU Country of Origin ‏ : ‎ India Number of discs ‏ : ‎ 1 Item Weight ‏ : ‎ 20 g [ad_2]

[lyricsbest]

Mera Jeevan Kora Kagaz Lyrics

Mera Jeevan Kora Kagaz Lyrics

Check out the mesmerizing voice of Kishore Kumar in the song ‘Mera Jeevan Kora Kagaz Lyrics in Hindi’ from the movie ‘Kora Kagaz’ with music composed by Kalyanji Anandji. Lyrics of the song written by M G Hashmat. Starring Vijay Anand, Jaya Bachchan and others in lead roles. Mera Jeevan Kora Kagaz मेरा जीवन कोरा कागज – Song Details SongMera Jeevan Kora KagazSingerKishore KumarLyricistM G…

[bollywoodirect]

Birthday Greetings to Hindi film industry's illustrious and versatile music director Anandji Virji Shah, who turned 86 years today. Hailing from the golden era of Hindi film music, music composer duo, Kalyanji Anandji, were renowned for composing some of the best melodies like ‘chandan Sa Badan’, ‘Pal Pal Dil Ke Paas’, ‘Jeevan Se Bhari Teri Aankhen’, ‘Zindagi Ka Safar’, ‘Mera Jeevan Kora Kagaz’ and ‘O Saathi Re’, among many others. The brothers Kalyanji and Anandji rose from modest beginnings to become one of the top music composers in the Hindi film industry. During the 1970s and 1980s, they dominated Hindi films with their memorable tunes. Kalyanji-Anandji composed music for over 250 films in a career span of over 40 years. They created all sorts of filmi music, timeless classics like their National Award-winning Saraswatichandra (1968) to chartbusters like ‘Laila O Laila’ from Qurbani (1980), ‘Khaike Pan Banaraswala and ‘Yeh Mera Dil’ from Don (1978). For Kalyanji Anandji, music direction was like falling in love. They did not take very long to compose music as the process was all about inspiration. They always produced fresh, contemporary music in every decade of their career. A number of their songs also had a lovely blend of rhythm and melody. Finely balanced and truly versatile is an apt summary of their style. 

[rtmains]

Kisor kuar

Kishore Kumar with wife Leena Chandavarkar. The sweetness is particularly noticeable in songs of pain and melancholy - such as Mera jeevan kora kagaz ( from Kora Kagaz) Koi humdum na raha ( Jhumroo) Zindagi ke safar mein guzar jaate hain ( Aap ki Kasam) Dukhi man mere ( Funtoosh) Meri bheegi bheegi si ( Anamika). It is said that Kishore’s voice combined the strength, depth and richness of the male voice with the sweetness of the female voice. He had no classical training but could surpass me in a song because of his wonderful musical instinct and natural singing flair.” Lata Mangeshkar, who described Kishore as her favourite Bollywood singer, remarked “it’s God who guided his music.” Manna Dey once said “Kishore had the best voice of all playback singers. He was an unschooled singer, but his magic did not derive from training or technique. “Acting is fake, music comes from the heart,” he remarked famously. His versatility was amazing (he variously donned the hats of singer, composer, actor, lyricist, editor and director).īut music was his first passion. He gave Bollywood music a new idiom, introduced the art of yodelling and performed rather than sang songs. He sang more than 2,600 Hindi film songs, including some of Bollywood’s most loveable gems, in his event-filled 40-year career. Ray and Bachchan were two of the millions in India and overseas charmed by Kishore Kumar, whose creative brilliance enriched cinema in many ways. “That’s because his name symbolised entertainment.” “Just hear the word Kishore and you smile,” Amitabh Bachchan said. “As a singer of popular songs, he had no equal.” He was gifted with this rare, fluent and mellifluous voice,” said Satyajit Ray about Kishore Kumar.

[jayachandran]

Watch "Mera Jeevan Kora Kagaz Song" on YouTube

[miauwing]

lekin mera jeevan kora kagaz kora hi reh gaya

akelapan. bahut puraani bimari hai

j’espère que tu te sens mieux bientôt. quelqu’un

t’apprivoisera

[pianodaddyofficial]

Kishore Kumar All Songs Piano Notes / Video Tutorial ~ Piano Daddy

Here we are giving full list of Songs Piano Notes / Video Tutorials of Indian Singer Kishore Kumar. The biggest collection of Kishore Kumar's Songs Piano Notation Sheets Only On Piano Daddy. Kishore Kumar (4 August 1929 – 13 October 1987) was an Indian film playback singer, actor, lyricist, composer, producer, director, and screenwriter. He is considered one of the most successful playback singers of the Hindi film industry. Apart from Hindi, he sang in many Indian languages including Bengali, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Odia, and Urdu. Kishore Kumar Latest Songs Piano Notes List: Example Song Title Album/Movie Janu Meri Jaan Shaan Chehra Hai Ya Chand Khila Hai Saagar Haan Pehli Baar Aur Kaun Vaada karo Aa Gale Lag Ja Dekha Ek Khwab Silsila Ye Dosti Hum Nahi Todenge Sholay Tum aa gaye ho noor aa gaya hai Aandhi Rimjhim Gire Sawan Manzil Pal Pal Dil Ke Paas Blackmail Kanchi Re Kanchi Re Hare Rama Hare Krishna Meree Pyaaree Bindu Padosan Ek Ladki Bhighi Bhagi Si Chalti Ka Naam Gaadi Yeh Ladka Hai Allah Hum Kisi Se Kum Naheen Yeh Jo Mohabbat Hai Kati Patang Tere bina zindagi se koi Aandhi Hamen Tumse Pyar Kitna Kudrat Jai Jai Shiv Shankar Aap Ki Kasam Mere Sapnon Ki Rani Aradhana Apni to jaise taise Lawaaris Khaike Pan Banaras Wala Don Ruk Jana Nahin Imtihaan Musafir Hoon Yaaron Parichay Inteha Ho Gayi Intezaar Ki Sharaabi Geet Gata Hoon Main Lal Patthar Mere Dil Mein Aaj Kya Hai Daag Yeh Sham Mastani Kati Patang Saagar Kinare Dil Yeh Pukaare Saagar Pyar Manga Hai Tumhee Se Movie Name Nahin Nahin Abhi Nahin Jawani Diwani Mere Naina Saawan Bhaado Mehbooba Mera Jeevan Kora Kagaz Kora Kagaz Kasme Wade Nibhayenge Ham Kora Kagaz Hum Bewafa Hargiz Na The Shalimar Dil Kya Kare Jab Kisi Se Julie Agar Tum Na Hote Agar Tum Na Hote Vaada Karo Aa Gale Lag Ja Pyar Diwana Hota Hai Kati Patang Gata Rahe Mera Dil Guide O Saathi Re Tere Bina Bhi Muqaddar Ka Sikandar Dekha Na Hai Socha Bombay To Goa Rote Hue Aate Hain Sab Muqaddar Ka Sikandar Raat Kali Ek Khwaab Mein Aayi Budha Mil Gaya Pag Ghungroo Baandh Namak Halaal Zindagi Ke Safar Mein Aap Ki Kasam Chala Jata Hoon Kisi Ki Dhoon Mein Mere Jeevan Saathi Phoolon Ka Taron Ka Sabka Kehna Hai Hare Rama Hare Krishna Chingari Koi Bhadke Amar Prem O Mere Dil Ke Chain Mere Jeevan Sathi Tere Chehere Se Nazar Nahin Kabhi Kabhie Yeh Dil Na Hota Bechara Jewel Thief Aasman Ke Neeche Jewel Thief Om Shanti Om Om Shanti Om Meri Bheegi Bheegi Si Anamika Aa Chal Ke Tujhe Read the full article

[dopeenthusiastsublime]

cover song

[djsarkar]

@srbachchan

Happy Birthday Kishore Kumar (কিশোর কুমার)...💐💞🙏💞💐

Birth name: Abhas Kumar Ganguly Born: 4th August 1929 He Was a: Singer, lyricist, composer, actor, film producer, director, script writer, screenplay writer, entertainer, record producer..... He won Awards:

Filmfare AwardsWinner:

Year !            Song             !   Film 1969 "Roop Tera Mastana" Aradhana 1975 "Dil Aisa Kisi Ne Mera" Amanush 1978 "Khaike Pan Banaras Wala" Don 1980 "Hazaar Raahen Mudke Dekheen" Thodisi Bewafaii 1982 "Pag Ghungroo Baandh" Namak Halaal 1983 "Agar Tum Na Hote" Agar Tum Na Hote 1984 "Manzilein Apni Jagah Hain" Sharaabi 1985 "Saagar Kinaare" Saagar Rahul Dev Burman Bengal Film Journalists' Association Awards Winner: 1971 - Best Male Playback Singer for Aradhana 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz And...

Nominated:

Year Song Film 1971 "Zindagi Ek Safar" Andaz 1971 "Yeh Jo Mohabbat Hai" Kati Patang 1972 "Chingari Koi Bhadke" Amar Prem 1973 "Mere Dil Mein Aaj" Daag: 1974 "Gaadi Bula Rahi Hai" Dost 1974 "Mera Jeevan Kora Kagaz" Kora Kagaz 1975 "Main Pyaasa Tum" Faraar 1975 "O Manjhi Re" Khushboo 1977 "Aap Ke Anurodh" Anurodh 1978 "O Saathi Re" Muqaddar Ka Sikandar 1978 "Hum Bewafa Harghiz" Shalimar 1979 "Ek Rasta Hai Zindagi" Kaala Patthar 1980 "Om Shanthi Om" Karz 1981 "Hameh Tumse Pyar" Kudrat 1981 "Chhookar Mere Mann Ko" Yaraana 1983 "Shayad Meri Shaadi" Souten 1984 "De De Pyar De" Sharaabi 1984 "Inteha Ho Gayi" Sharaabi 1984 "Log Kehete Hai Sharaabi (Mujhe Naulakha Manga De)" CHALTE CHALTE MERE YEA GEET YAAD RAKHNA........ KABHI AALVIDA NAA KAHENA...... KABHI AALVIDA NAA KAHENAA............

Kishore Da Creat a History 💐💖💐💝💐🙏💐💝💐💖

[lyricswrap-blog]

Mera Jeevan Kora Kagaz Lyrics Kishore Kumar

Mera Jeevan Kora Kagaz Lyrics Kishore Kumar

Mera Jeevan Kora Kagaz Lyrics Kishore Kumar Mera jeevan kora kaagaz kora hi reh gaya -2 Jo likha tha Jo likha tha aansoo un ke sang beh gaya Mera jeevan Mera jeevan kora kaagaz kora hi reh gaya Ik hawa ka jhoonka aaya -2 Tuta Dali se phool -2 Na pavan ki na chaman ki Kiski hai ye bhool -2 Kho gayi kho gayi Khushboo hawa mein kuch na reh gaya Mera jeevan Mera jeevan kora kaagaz kora hi reh gaya…

[hingoranee]

Mera jeevan kora kaagaz... - ‘Kora Kagaz’ - my humble tribute to the Bollywood greats.

[lyricspapa]

Mera Jeevan Kora Kagaz Kora Hi Reh Gaya Lyrics – Kishore Kumar

Mera Jeevan Kora Kagaz Kora Hi Reh Gaya Lyrics – Kishore Kumar

Mera Jeevan Kora Kagaz Song Lyrics:  The one of best old song lyrics from the movie Kora Kagaz (1974) which is sung by Kishore Kumar. Its lyrics written by M.G Hashmat and music composed by Kalyanji-Anandji.

  Mera jeevan kora kaagaz kora hi reh gaya

Mera jeevan kora kaagaz kora hi reh gaya

Jo likha tha…

Jo likha tha aansoon ho ke sang beh gaya

Mera jeevan

Mera jeevan kora kaagaz kora hi reh gaya

[masudrana2]

Kora Kagaz (1974): Mp3 Songs Download

Kora Kagaz (1974): Mp3 Songs Download

Kora Kagaz 1974 Bollywood Movie Mp3 Songs Free Download Songspk

Kora Kagaz 1974 Film Information: Actors: Vijay Anand, Jaya Bachchan Director: Anil Ganguly Producer: Sanat Kothari Music Director: Kalyanji-Anandji Release: 10 May 1974 Country: India Language: Hindi

  Kora Kagaz Movie All Audio Hindi Songs Download Below:

Mera Jeevan Kora Kagaz Song | Download – 128kbps | 320kbps Kishore Kumar

Mer…

[lazyupdates]

Ask any director who he’s been influenced by and Vijay Anand’s name will feature notably in that list. Because the filmmaker was not just a textbook of cinema. He was an entire curriculum. Not limited by any genre or stymied by his own sensibilities he could flit through comedy, thriller, drama, musical and even masala fare with ease. His directorial excellence was as much about his deft camera work as it was about his nuanced characters. Waheeda Rehman in Guide, despite playing an adulteress, went on to become an iconic symbol of rebellion. Vyjayanthimala went notches further as a dancer after she kept pace with his trailing camera in Jewel Thief. Shammi Kapoor became India’s answer to Elvis Presley as he matched Anand’s vision of a rockstar in Teesri Manzil. So did Mumtaz drape her sexuality in homely cotton sarees to give her best performance in Tere Mere Sapne…

Anand’s songs too outlived his times, most being the pride of satellite TV. Love awakening against a rising sun in Tere mere sapne ab ek rang hai. Dreams lettered in Pal pal dil ke paas… Love scaling heights in Dil ka bhanwar… Vijay Anand’s creative picturisations took the story forward. “My camera listens to the song and moves with it,” he once said. Long shots, lush backdrops and sharp intercutting brought out the poetry in the prose.

Yet Anand’s life was not confined to the boundaries of fame. He was essentially a seeker, his quest leading him to somewhere finding the ultimate answers with guru UG Krishnamurthy. It was also this philosophical side that helped him tide an ebbing career and health. For someone who could almost predict the period of his death, the shenanigans of fate were no threats. Today, Anand’s genius lives on in the cinematic jargon. In fact, Sriram Raghavan’s Johnny Gaddar, a noir thriller, paid a subtle tribute to the master in a scene where his blockbuster Johny Mera Naam played… Memories of an unforgettable man and an extraordinary filmmaker in the words of wife Sushma Anand… THE MAKER Goldie’s (Vijay Anand’s pet name) childhood was spent in Gurdaspur in Punjab. A fair child with blonde curls, he was naughty. Hence, his father called him ‘Goldilocks’. With time, locks nikalgaye, ‘Goldie’ rehgaya! Goldie lost his mother when he was seven. He, along with his two older sisters (they were a family of nine siblings), came to live with Chetan saab (Anand, filmmaker) and Uma bhabhi (Anand) at their ‘shack’ in Juhu. Chetan saab was older to Dev saab (Anand, actor/filmmaker) by 10 years, who in turn was older to Goldie by 10. Uma bhabhi was like a mother to Goldie and had a great influence on him. She urged him to write, given his sharp imagination. Goldie often said, “I owe everything to Bhabhi.”

While Goldie was studying in St Xaviers College in Mumbai, he directed several plays, including the play Rehearsal. It was a takeoff on Hamlet and the catch phrase ‘to be or not to be’. Just out of college, Goldie wrote the script of Navketan’s Taxi Driver (1954), with Uma bhabhi, which Chetan saab directed. He had also written the script of Nau Do Gyarah (1957) and wanted to direct it but didn’t have the courage to tell Dev saab about it. Once when Dev saab was going to Mahableshwar, he asked Goldie for the script to read it on the way. Goldie refused saying he’d narrate it himself. He hopped in the car and narrated the story through the journey. On reaching Mahableshwar, Dev saab called his office and said, “Navektan’s next production will be directed by Vijay Anand. Make an announcement!” From then Goldie’s career as a director took off.

Kala Bazaar (1960) was one film where all the three brothers worked together. Dev saab produced it. Goldie wrote and directed it. Chetan saab acted in it. During his college days, Goldie would see tickets being sold in black at theatres including Metro, Liberty and Empire��� That gave birth to this concept. He even included real shots of the premiere of Mehboob Khan’s Mother India with actors including Dilip Kumar, Nargis Geeta Dutt, Guru Dutt, Raaj Kumar and Rajendra Kumar.

Amarjeet, who was a publicist and Goldie’s friend, lived in Chetan saab’s shack with Goldie. Once, Goldie fell sick. Amarjeet nursed him with affection. He’d serve him soup, press his legs, check the temperature… Goldie promised him a directorial assignment. Goldie wrote a detailed script of Hum Dono (1961, had Dev Anand in a double role) with everything marked…. entry, exit, camera placement… so that Amarjeet wouldn’t face difficulty while directing. But yet Amarjeet couldn’t do it. Finally, Goldie directed the film but gave Amarjeet the credit that he’d promised him.

Nutan was one of Goldie’s favourite actresses and suited perfectly in the comedy Tere Ghar Ke Saamne (1963). Dil ka bhanwar had a beautifully filmed song. It was shot in the Qutub Minar to get the feel of Delhi. The duo (Dev-Nutan) climbs up as friends but when they come down, they’re lovers. The song Ek ghar banaaonga had camera tricks – Nutan is seen in the glass of whiskey. Guide (1965) was Navketan’s first film in colour. Based on RK Narayan’s novel The Guide, Tad Danielewski was directing the English version for writer Pearl S Buck. Chetan saab was to shoot the same scenes for the Hindi version He found it frustrating. So when he got a financier for Haqeeqat (1964) he quit. Goldie accepted it on the condition that he’d rewrite the script as a subject like blatant adultery would not be accepted by Indian audiences. Guide became a classic because it excelled in photography (Fali Mistry), acting (Dev Anand-Waheeda Rehman), music (SD Burman), editing (Vijay Anand and Babu Shiekh)… The song Tere Mere Sapne was shot in the early light in Udapiur. It was an emotional mood where Dev saab builds hope in a dejected Waheeda Rehman. Aaj phir jeene ki tamanna hai was filmed in the Chittorgarh Fort in Rajasthan. Her playing with the straw showed her light-heartedness. When she throws the matki singing dil woh chala it spoke of shedding the past and new beginnings. The finest compliment for Goldie came from RK Narayan who said, “The film is more beautiful than my book.” Goldie went on to direct the spy thriller Jewel Thief (1967). For the legendary Hothon pe aisi baat filmed on Vyjayanthimala, three to four cameras were put up including a trolley camera. Later, Dev saab was to do Nasir Hussain’s thriller Teesri Manzil (1966). When he couldn’t, Shammi Kapoor was roped in. Initially, Shammiji came at his own time. But he realised that this man comes at 9 am with a ready script and his cameras are placed beforehand. He too began coming on time. Shammiji and Goldie struck a great rapport. Aaja aaja and Oh haseena zulfonwali will always be remembered for their energy, Shammiji playing a musician in the film. O mere sona re is my favourite because through the song Goldie played interestingly with Shammiji’s briefcase. Later, Johny Mera Naam (1970), an entertainer, further proved Goldie’s versatility. In Pal bhar ke liye… Goldie played with the windows, where the persistent lover (Dev saab) finally woos the heroine (Hema Malini).

A film that remained close to Goldie’s heart was Tere Mere Sapne (1971, based on AJ Cronin’s The Citadel). He was hurt that the ‘sensitive’ film was not a commercial success. It was the story of human relationships amidst materialism. Goldie met doctors to understand the authentic body language for his doctor protagonist (Dev Anand). The songs were unique too. Mumtaz sings Radha ne maala japi when she accepts the hero’s marriage proposal. Hey maine kasam li was filmed on Dev saab and Mumtaz on a bicycle. Jeevan ki bagiya was shot in close-ups and established their intimacy. But the less heard Mera antar ek mandir, a song, which hinted at conceiving a baby, was Goldie favourite. Goldie liked Nutan and Waheeda for their expressive eyes. He found Nanda to be a fine artiste as much as he liked Asha Parekh for her naughtiness. But in Mumtaz, he saw a great dancer and actress. Basically, he liked simplicity in a woman.

My favourite in Blackmail (1973) is Mile mile do badan. It’s the first time that the couple (Dharmendra-Raakhee) have come together. They’re hiding among the wood pile in the jungle even as dogs are sent to hunt them. The danger and intimacy makes the song beautiful. Pal pal dil ke saath is romantic because of the dreamy picturistaion. He directed some more films like Chhupa Rustom (1973), Ram Balram (1980) and Rajput (1982) but didn’t meet with much success. He also happened to act Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), which were huge hits. Goldie was proud of his later films Hum Rahe Na Hum (1984), a relationship saga that featured him with Rehana Sultan and Shabana Azmi and Jaana Na Dil Se Door with newcomers. Sadly, he couldn’t release them and that left him dejected. He’d say, “Perhaps, my time is over.”

THE MAN Goldie and I got married in 1978 during the shoot of Ram Balram. We cared for each other to the extent that we wanted to get married. He liked my simplicity. I understood his temperament. He rarely lost his cool. I was the one who’d lose my temper. I was crazier. I’d deliberately do things to annoy him. Sometimes, he manaoed (cajoled) me, sometimes I manoed him. Yes, women did throw themselves at him. But I never felt jealous or insecure. Rather, I’d tease him, “Main dekh rahi hoon! Maze karo! Enjoy yourself.” He rarely complimented me but when he did it made me happy. He liked me in sarees and sometimes picked up sarees and pieces of jewellery for me.

We loved to travel. Our best holiday was in Hampstead in London just after our marriage. There were theatres across the road. We shopped a lot. Once when we were in Europe, he quietly slipped out. “Yeh lene gaya tha,” he said later showing me a sweater he had bought for me.

He had a passion for ballroom dancing, waltz and fox trot. As a youngster, he’d travel from Chetan saab’s shack to a school in Colaba to learn waltz. He did a dance with Bindu in Chupa Rustom. The song Joh main hota ek toota tara was filmed on the bonnet of a car. He also loved shirts. He’d pick a dozen at a time. He was fond of watches and cologne and had grown fond of horses when he was working with Kalyanji Anandji.

Chetan saab’s shot division was superb. But Chetan saab changed things on the set, he was spontaneous. While Goldie went fully prepared. That’s why actors understood they couldn’t fool with him. They understood he meant business.

Goldie liked Guru Dutt’s realism, Raj Kapoor’s glamour and the existentialism in the works of Satyajit Ray. Meghe Dhaka Tara (1960) by Ritwik Ghatak was his favourite. But as a filmmaker he didn’t want to make realistic movies. He’d say, “This is a media for entertainment!” Goldie was not fond of drinks and nursed a peg throughout the evening. Rather, he was interested in spirituality and astronomy. He had read all religious books – the Gita, the Bible, the Upanishads, the Koran… He became a disciple of Osho Rajneesh but reached a dead end when he couldn’t find answers. Then he met UG Krishnamurthy (spiritual guru) in whom he found solace. UG once said, “If anyone, anywhere has understood me, it’s Goldie.” Instead of revolting, he accepted life as it came. He was against pretence. He never missed his past glory. He’d say it was a closed chapter. He didn’t want to write his biography. He believed, “Joh hoga so hogaya. My work will speak for itself.”

Towards the end he had developed a heart problem. Vaibhav had assisted him in Jaana Na Hum Se Door and then went off to attend a filmmaking course at the Lee Strasburg Institute in New York. Vaibhav returned in January 2004. Goldie passed away in February 2004. In fact, having some knowledge of astrology Goldie had predicted that February 2004 was a bad month for him. His only regret was that he couldn’t do much for our son Vaibhav, who’s inherited his sensibilities. After he passed away you do tend to get isolated. But it’s fine. I’ve taken to singing – something I was always interested in. And in my circle of friends I often sing Tere mere sapne ab ek rang hai…

YOU MUST KNOW…

Taxi Driver was inspired by Hollywood’s noir movement

Nau Do Gyarah was an urban thriller/road film with elements borrowed from Frank Capra’s It Happened One Night (1934).

Vijay Anand filmed Aaja panchi akela hai in a constricted space (a room and a toilet!) in Nau Do Gyarah. The film’s other hits were Hum hain rahi pyar ke and Aankhon mein kya ji.

Rhim jhim ke tarane (Kala Bazar) is remembered for Dev Anand and Waheeda Rehman under an umbrella!

In Tere Ghar Ke Saamne, Anand used camera tricks where Dev Anand imagines Nutan inside his drink! Then Dev’s aide puts an ice cube into the glass causing Nutan to shiver!

Hum Dono with Sahir Ludhianvi’s lyrics and Jaidev’s music gave the immortal gems Allah tero naam and Abhi na jaao choddh kar.

Aaj phir jeene ki tamanna hai (Guide) had Waheeda dancing along the ledge of the temple while Tere mere sapne was canned in just three shots.

RD Burman’s rock n roll inspired score in Teesri Manzil gave Shammi Kapoor his rockstar image.

Jewel Thief’s Hothon pe aisi baat had Vyjayanthimala gliding through an entire stanza in one take.

Johny Mera Naam had Hema Malini riding on a cable T-bar on Dev Aand’s lap

The great music and picturisation of Anand’s films can largely be credited to composer SD Burman, lyricist Shailendra and cinematographer Fali Mistry who translated his vision.

[noormehak-blog]

Kishore Kumar (4 August 1929 – 13 October 1987) was an Indian film playback singer, actor, lyricist, composer, producer, director, and screenwriter. [1] He is considered one of the successful playback singers in the Hindi film industry. Apart from Hindi, he sang in many Indian languages including Bengali, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Odia, and Urdu. He has also sung in private albums in several languages especially in Bengali which are noted as all time classics. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government for the year 1985-86 and in 1997, the Madhya Pradesh Government initiated an award called the "Kishore Kumar Award" for contributions to Hindi cinema. Recently, Kishore Kumar's unreleased last song was sold for Rs 15.6 lakh (1.56 million) at the Osian’s Cinefan Auction, New Delhi in 2012. kishore kumar singing many songs for bollywood $ tamil movie.I am show few songs of hit collection. Like Roop Tera Mastana" "Dil Aisa Kisi Ne Mera" "Khaike Paan Banaras Wala" "Hazaar Raahen Mudke Dekheen" "Pag Ghungroo Baandh" "Agar Tum Na Hote" "Manzilein Apni Jagah Hain" "Saagar Kinaare" "Zindagi Ek Safar" "Yeh Jo Mohabbat Hai" "Chingari Koi Bhadke" "Mere Dil Mein Aaj" "Mera Jeevan Kora Kagaz" "Main Pyaasa Tum" "O Manjhi Re" "Aap Ke Anurodh" "O Saathi Re" "Hum Bewafa Harghiz" "Ek Rasta Hai Zindagi" "Om Shanti Om" Karz "Hameh Tumse Pyar" "Chhookar Mere Mann Ko" "Shayad Meri Shaadi" "De De Pyar De" "Inteha Ho Gayi" "Log Kehete Hai" this is good application for kishore kumar fans and old songs lover If you Want install this application go on google play store and search different keywords for this application Kishore Kumar Songs Free Download Kishore Kumar Songs Kishore Kumar Superhit Songs Free Kishore Kumar Super Hit Songs Kishore Kumar Hit Song Download Mp3 Best Of Kishore Kumar Old hindi Songs Old Indian Songs Old hindi video songs Old Indian video songs Evergreen Bollywood songs Evergreen Old Hindi Songs Sadabahar Hindi Songs Sadabahar Gane Purane Gane Purane Hindi Gane Old indian movies Songs Old Hindi movies Songs Old bollywood songs

[asksabhaniblog]

Actress Suchitra Sen was the first Indian actress to be bestowed with an award in an international film festival.

The actress was the recipient of the Best Actress trophy at the Moscow Film Festival for her remarkable work in Saat Pake Bandha, a film that released in 1963.

Saat Pake Bandha (Bengali: সাত পাকে বাঁধা) (1963) is a Bengali romantic film starring Soumitra Chatterjee, Suchitra Sen, Pahari Sanyal and Tarun Kumar. Directed by Ajoy Kar, it was a box office success upon its release.  Professor Sukhendu Dutta (Soumitra Chatterjee), a well-educated poor orphan, who lives with his aunt in a small apartment in Kolkata. Along with the regular job in the university, he also earns his living by private tuition. He met Archana Basu (Suchitra Sen), a well-educated woman of rich family background in a private party thrown in honour of a student of Sukhendu. After that, they fell in love and got married. Archana's mother was not happy with the marriage from the beginning, considering the poor income of Sukhendu. Eventually her too much interference in the married life of Sukhendu and Archana led to a mutual separation.

Cast Soumitra Chatterjee as Sukhendu Dutta Suchitra Sen as Archana Basu Pahari Sanyal as Archana's Father Chhaya Devi as Archana's Mother

The movie was remade in 1963 in Telugu as Vivaha Bandham, in 1974 in Hindi as Kora Kagaz and in Tamil as Lalitha in 1976. 

Kora Kagaz  is a 1974 Hindi drama film produced by Sanath Kothari and directed by Anil Ganguly. The film stars Vijay Anand, Jaya Bhaduri, A.K. Hangal, Achala Sachdev and Deven Verma. The films music is by Kalyanji Anandji. The famous title song "Mera Jeevan Kora Kagaz" was by Kishore Kumar.

At the 22nd National Film Awards, it won the award for Best Popular Film Providing Wholesome Entertainment, while Lata Mangeshkar won the award for Best Female Playback Singer.The film is a remake of 1963 Bengali film Saat Pake Bandha directed by Ajoy Kar, and starring Suchitra Sen which itself was based on the story Saat Paake Bandha by Ashutosh Mukhopadhyay, 

Professor Sukesh Dutt (Vijay Anand) and Archana Gupta (Jaya Bhaduri) meet each other in a chance encounter while traveling by BEST bus service in Mumbai. Their meeting again results in formal introduction to each other. Both get attracted to each other and get married. Archana's mother does not like Sukesh due to his modest income. She makes up stories about their affluence, which offends Sukesh. This results in acrimony between Archana and Sukesh, and they decide to separate. Archana goes to live with her parents, while Sukesh relocates. Archana's family asks her to forget Sukesh, and remarry, which Archana finds difficult since she still has feelings for Sukesh.

Cast Vijay Anand as Professor Sukesh Dutt Jaya Bhaduri as Archana Gupta A. K. Hangal as Principal Gupta Achala Sachdev as Mrs. Gupta Nazneen as Aruna Gupta Dinesh Hingoo as Govind Gupta Ramesh Deo as Archana's Uncle Seema Deo as Archana's Aunt Sulochana Latkar as Sukesh's Aunt Master Shahid as Deepak Deven Verma as Drona Acharya Crew Director - Anil Ganguly Story - Ashutosh Mukherjee Screenplay - Surendra Shailaj Dialogue - M. G. Hashmat Producer - Sanat Kothari Cinematographer - Bipin Gajjar Art Director - Abdul Rahim Choreographer - Suresh Bhatt, Praveen Kumar Music Director - Kalyanji Anandji Lyricist - M. G. Hashmat Playback Singers - Kishore Kumar, Lata Mangeshkar Editor - Waman B. Bhosle, Guru Dutt Music Song "Mera Jeevan Kora Kagaz" topped the Binaca Geetmala annual list 1974 Song Title Singers "Mera Jeevan Kora Kagaz" Kishore Kumar 3:35 "Mera Padhne Mein Nahin Lage Dil" Lata Mangeshkar  "Roothe Roothe Piya" Lata Mangeshkar Awards and nominations National Film Award Best Popular Film Providing Wholesome Entertainment : Anil Ganguly Best Female Playback Singer: Lata Mangeshkar for the song "Roothe Roothe Piya. Filmfare Awards Won Filmfare Best Actress Award - Jaya Bachchan Filmfare Best Music Director Award - Kalyanji Anandji Nomination Best Film Best Director - Anil Ganguly Best Story - Ashutosh Mukhopadhyay Best Lyricist - M.G.Hashmat for the song "Mera Jeevan Kora Kagaz" Best Male Playback Singer - Kishore Kumar for the song "Mera Jeevan Kora Kagaz" BFJA Awards Lata Mangeshkar - Best Female Playback Singer in Hindi film section Kishore Kumar - Best Male Playback Singer in Hindi film section Kalyanji Anandji - Best Music Directors in Hindi film section M.G.Hashmat - Best Lyricist in Hindi film section.